Beans Barton is a local
treasure! His art can be found on cars, walls, columns, CD & album covers,
shoes, jackets, t-shirts, coffee tables, over sofas and upside-down in
bathrooms. His creativity knows no bounds as he creates an endless array of
fantastical creatures and humanoids.
With the opening of
Beans Barton's Online Emporium, he is now offering designs that are
available on a wide variety of products, such as t-shirts, mugs,
greeting cards, and posters.
Evolution of a Painting
The Ballad Of Beans
Barton, Captain Beefheart And Stomach Pump Ruland
Houston Press
Lonesome Onry and Mean
By William Michael Smith, Aug. 18, 2010
Lonesome, Onry and Mean likes us some Beans
Barton and the Bi-Peds. Loves us some. No act in town comes close to the
joyous pandemonium of one of the Bi-Peds' performance-art sets at Dan
Electro's Guitar Bar. Belly dancers, children, hippies, hula-hoopers, and
other weirdos - in both the band and the audience - make these hippie
hoedowns a soul-lifting experience every time we see it.
We recently interviewed Dale "Beans" Barton and, while you'll have to wait
until next week's print edition to get the full force of this Houston
artistic hurricane, here's a little teaser.
Shortly after Captain Beefheart's legendary double album Trout Mask
Replica appeared, Beefheart and his Magic Band played Of Our Own, a
hippie joint at the corner of Kirby and Rice Boulevard, on Feb. 19, 1971.
Opening were Ry Cooder and Barton's former band, Bruiser Barton and the
Dry Heaves, which Rolling Stone magazine dubbed "the worst rock
band in Texas."
LOM and legions of our barefoot U of H hippie
friends sat on the floor completely mesmerized by the Heaves, who were
costumed as oddly as the Magic Band - and that took some by-god doing,
'cause those guys were weird. Bruiser Barton performed the entire
set in a wheel chair dressed like an Arab escapee from Sam the Sham's band
of Pharoahs. His singing style would best be described as spastic in a Dr.
Strangelovean sort of way. You had to be there to get the full depravity
of this.
Anyway, we were discussing this with Barton and
here is his recollection of that bizarre evening.
"It was a legendary show. The Heaves opened for
the Captain and Ry Cooder. After our set. Ry, the Captain, and their
manager come up to us backstage, and the Captain says something un-pronouncable,
yet he did pronounce it. Then the manager says, 'Ry's guitar is broken,
do you boys have a Fender guitar that Ry could use for his set?'
Stomach Pump Ruland, Heaves guitarist, says, 'Well, we've got a mock
Fender guitar' that we had bartered some luan den paneling for. It
didn't have a case and Stomach Pump claimed it had a warped neck.
The dark guitar was lying on a table by the
backstage sofa. We looked at it, the Captain and Ry look at it, Ry
shrugs and picks it up. Stomach Pump says, 'He's gonna look like a
dillweed when he has to keep stopping to tune,' but Ry played
flawlessly. He seemed to have no difficulties.
So the Pump says,'It must be perfect humidity
or something kept it tuned with meteorology.'
All
works contained or reproduced herein are copyright protected works by Beans Barton and may
not be reproduced or used in any manner without the express written permission of the
copyright owner.